I am a slow artist in a fast world. I create from a place of sensitivity, intuition, and deep emotional honesty. Art has been with me since childhood—not as a luxury, but as a necessity. It was how I escaped, how I coped, and how I found safety. Over time, it became my language.

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Today, I use theatre—and more recently, collage and glasswork—as ways to explore what can’t be said in words. My work lives in the spaces between language: the silences, the awkwardness, the invisible weight of feeling. I’m interested in what we feel but can’t name. What we carry but never say. I often explore surreal, abstract ideas—stories about chairs, snails, or crying doors—but always rooted in something deeply human.

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I’m not here to make political statements, preach messages, or follow what’s fashionable in theatre. I don’t care about identity labels or fitting in. My work isn’t about being “right” or being accepted. It’s about discovering something honest—no matter how strange, quiet, or difficult it may be.

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